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The Daily Verse

To make The Wise Owl more dynamic, we have introduced The Daily Verse, a segment where we upload poetry all  days of the week. Just send in a poem to editor@thewiseowl.art

We will post the October theme on the WhatsApp Channel...

September 2026

Theme: Stories of Passage

Zebras in Fog

Wednesday, 9th September 2026

Image by Shubham Dhage

Sailed Away

By Alshaad Kara

Hand Drawing

Born in a land,

Transferred to another,

With no choice and no hope,

You forget the first soil

You were birth in,

 

Only to grow up somewhere else,

With no remembrance of the past…

 

Cultural and linguistic endemic creatures

Indirectly imprint your own self,

Making you forget your own traditions.

 

This story is a mirrored wind,

Of travel and dislocation.

About the Author

Alshaad Kara loves reading and writing poetry

Tuesday, 8th September 2026

Image by Kilimanjaro STUDIOz

Abode

By Tanjila Aktari

Hand Drawing

I used to think leaving

meant taking nothing with me.

Now I know better.

 

The window will stay here,

but the light through it

will follow me.

 

The books will stay on their shelf,

the stones will stay beneath my feet,

the summer will keep happening

without asking where I went.

 

And you

you will remain

in the strange little places

this town has made inside me.

 

Maybe home is not a place

we return to.

Maybe it is what leaves with us

without ever saying goodbye.

 

So I’ll take one last evening,

a little moonlight,

the red of the sky,

and enough of us

to become someone new

About the Author

Tanjila Aktari is a writer from the Dooars, West Bengal, and a postgraduate in English Literature. Her writing emerges from an attentive observation of everyday life, human interactions, and the people she encounters. She keeps journals and writes film reviews, often drawing from these personal records to shape her creative work. Her writing seeks to weave realism with imagination, finding stories in the ordinary. She is also an avid reader.

Monday, 7th September 2026

Image by Don Ricardo

Jacaranda Tales

By Smitha Vishwanath

Hand Drawing

I
Days crawl. Winter is coming to its fag end, and Spring is at the threshold
waiting to make an entrance. The Jacaranda tree shows the first signs,
its foliage turning a buttery yellow, shedding all inhibitions and ready to
let go.

II
Here at home, we’ve had our share of winter – melt downs, a sharp coldness
that pierces the heart and a thin layer of ice that covers layers of turbulence
built up over years of being here, alone, away from home. The ice gave way
yesterday. We fell in and risked drowning as we flailed our arms
in a desperate attempt to survive.

III
When we gave up pretending that we were okay, when we reached out
to each other, we hauled ourselves up, still shivering, drained by the effort.
We lay in silence in the dark of the night, warm tears rolling down
our still cold cheeks until sleep came to us.

IV
When we woke up, we saw the spring sun sliding in through the space
between the door and the floor; you snuggled, burying your little head
in my chest and I put my arm over your still delicate frame. And in that
moment, I knew you’d be okay; you made it through another winter
in foreign soils. Unknown to you, your roots had been silently
gaining ground.

VI
Like the Jacaranda trees that unabashedly proclaim their existence,
bare branches brimming with bright mauve blossoms against the blue
Spring sky; carpeting the brown earth with lavender drops in honour of
Summer, making heads turn in awe, I wish you do, too. May these trees
from our homeland remind you to exist, not as a whisper on this land
but to be bold and beautiful and hold your head high.

About the Author

Smitha Vishwanath is a poet, novelist, and artist who began blogging in 2016 after a successful banking career in the Middle East until 2018. Now living in Kenya, she devotes her time to writing and continues to refine her craft through international writing programs. Her poetry has received numerous honours, including Best of the Net and Pushcart Prize nominations, and appears in leading literary journals worldwide. Her latest release, ‘The Inheritance of Solitude- poems on hurt and healing’ was published on July 15, 2026.

Friday, 4th September 2026

Image by Martin Moore

Carrying a former life

By Sabyasachi Roy

Hand Drawing

Aim small, miss small, they told us back then—

as if identity were just a paper target

you could fold up, stick in your pocket,

and carry through customs without declaring.

Now my hands look like foreign currency.

Spendable, sure, but nobody knows the exchange rate.

The sunlight slides down the kitchen blinds,

eating the shadow of the dish rack, inch by inch,

until the shadows eat each other whole.

They pin another badge on your digital profile: Settled.

Nice term. Like dust after an explosion.

A dog barks three blocks over—

that same sharp, paranoid yelp from the checkpoint—

and for a second, my pulse goes full tactical.

Welcome home, says the automated email.

Right. As if anyone actually gave us directions.

I slice the melon in half.

It bleeds seeds onto the formica,

and I eat the sweet, rotting center

just to remember what didn't survive the trip.

About the Author

Sabyasachi Roy is the author of Writing While the World Burns and Micro Craft for Sentences that Sing, e-books on the craft of writing published by Authors Publish. His poems have appeared in Stand, Poetry Salzburg Review, Singapore Unbound, The Wise Owl, and others. His fiction has been published in Viridine Literary, Inglenook Lit, After the Storm, among several journals. He writes craft essays regularly for Authors Publish.

Thursday, 3rd September 2026

sarada.png

Geography of a Quiet Heart

By ​Sarada Kuchibhotla

Hand Drawing

I sit on the bare floor of this room,

where the smell of dry spices and old sweat clings to the walls.

Outside, the dark rain of the forest begins to fall..

the wet earth of the Mullai woods crying out for a touch.

You called me a wife and shut the heavy wooden door,

but my soul is a wild bird that flies directly into the storm.

I do not want your gold or your quiet, hollow nights.

I lay my bruised body down in the dust,

waiting like an empty clay pot at the river’s edge.

Let the rain wash away the names you gave me.

In this small, dark corner of myself,

I am waiting for the great silent traveller

to step through the open window

and claim the wild, unwritten spaces of my heart.

About the Author

Sarada Kuchibhotla is an M.A. graduate from the University of Madras and a former English teacher with nearly 25 years of experience. She began writing at the age of 14 and has since been featured in The Significant Anthology, Umblical Chord: An Anthology for Parents, GloMag, LitStream and Worldwidewriterweb. A recipient of the NaPoWriMo TSL 2026 award, she is an active member of the Destiny Poets International Community, where her poem The Bench at the Mall was recognized as the 158th Poem of the Month.

Wednesday, 2nd September 2026

Image by Denny Müller

A Door Ajar

By Ajanta Paul

Hand Drawing

In the shut, locked 

house of mine,

somewhere a door

was kept ajar

 

through which flowed history 

faint whistles of bullets 

carving their trajectory 

where everything is temporary

 

the breeze wafts in smells

of silence and waiting 

of arrival and departure 

the door ajar is an amazing aperture 

 

it is like a chink in your poetry

which allows me entry 

into a troubadour's diary

full of mystery and memory.

About the Author

Dr. Ajanta Paul is a widely published poet, short story writer and literary critic. She was the Principal of Women’s Christian College, Kolkata and is currently its Governing Body Secretary.  A Pushcart nominee, Ajanta has been published in national and international literary journals and anthologies She has four collections of poems, two collections of short stories, fifty literary reviews (by her), thirty critical reviews  and interviews on/with her, two acclaimed books of criticism in addition to numerous academic books and papers.

Tuesday, 1 September 2026

Image by Logan Voss

Memories of Home

By Jayshree M Tripathi

Hand Drawing

Now, I wonder – was I displaced?

Joyful are the memories that mist my eyes.

At five to London - a few friendships

from primary school remain, bless the Internet!

At ten, A Return Passage to India -

bullied at the Convent for my accent,

the oil I loved to pour in my hair!

At seventeen to Delhi University -

the joy and wonder of those halcyon days!

Then followed Rites of Passage.

Journeys and Detours –

to the Land of Morning Calm,

to Suomi, the land of the midnight sun;

to the isthmus between the Americas;

to the island of Serendipity, and then

to the fourth largest island in the world.

Seven years in lands where the Big Five roamed.

I kept Home safely cocooned in my Heart.

Now, though I shuttle between two cities,

Home is tightly bound in my widow’s weed.

About the Author

Jayshree has been a consultant, educator and examiner in English Language and Literature, for the Diploma of the International Baccalaureate Organization. She worked in print media in the late ’70s and ’80s in India. Having lived in diverse cultures for over thirty years with her late husband, a career diplomat in the Indian Civil Service, her short fiction and narrative verse dwell upon journeys through the diaspora, highlighting women’s ‘voices’ and cross-cultural conversations.

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