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The Daily Verse

To make The Wise Owl more dynamic, we have introduced The Daily Verse, a segment where we upload poetry all  days of the week. Just send in a poem to editor@thewiseowl.art

We will post the October theme on the WhatsApp Channel...

October 2026

Theme: Ode to the Ordinary

Image by Debb D

Wednesday, 28th October 2026

Image by Udayaditya Barua

The Rag Picker

By Paramita Mukherjee Mullick

Hand Drawing

She sat there at the corner of the Durga Puja pandal.
A huge sack beside her.
Surprisingly she wore a shiny gorgeous sari.
Her head was covered with a ghunghat*.
Her grey hair peeping out of her covered head.
A hundred wrinkles creasing her face up.
She looked with so much piety in her eyes towards the Goddess.
She folded her hands and prayed to her with devotion.
I the humble poet, was praying to Ma Durga with all my heart.
Then my eyes fell on the rag picker.
My eyes got glued to this old rag picker woman.
There was something special about this woman.
I stood looking at her mesmerized.
Was I finding the divine Goddess in her?
I felt blessed to find the infinite in the finite. 

ghunghat—when head is covered with a veil or a sari’s end

About the Author

Dr. Paramita Mukherjee Mullick is a scientist, a literary curator and an award-winning poet. She has published 11 books and her books have been translated into 45 languages. Her latest awards being the “Ukiyoto Poet of the Year” in January this year, one of six women around India to receive an award themed, “Women: Breaking Barriers, Leading Futures, Shaping Change” last year and one of twenty recipients of the “Mumbai Woman Leadership Award 2024”. She promotes peace, multilingual and indigenous poetry. Through her poems she makes children and adults aware about conservation and climate change. Paramita heads two poetry and performance forums in Mumbai.

Tuesday, 27 October 2026

Image by Andrew Small

Ode to an Ordinary Day

By Uma Sharma

Hand Drawing

I missed her , yesterday 

But she didn’t forget

Here she was

Vibrant, Subtle, forgiving 

I inhaled her in my breath

Like air

I heard her song

How delightful, I thought 

Her essence pervading 

Into the core of my being

She stood silently with open arms

Neither beckoning nor insisting 

I stood rapt in her embrace 

As it’s a promise between us

Together we will remain 

Till eternity 

I know her

She believes in me

 

And just like that…

An ordinary day became extraordinary 

About the Author

Uma Sharma is passionate about reading and writing poetry, and makes the most of every spare moment to immerse herself in verse..

Monday, 26 October 2026

Crayon Sun Drawing

Hold Everything

By Alka Kansra

Hand Drawing

The miracle is not always in the Himalayas
It is in the way a woman folds her saree
Smoothing it with her palm
As if for the first time

It is in the tap
That drips a drop, then another
Holding sunlight for a second before falling

It is in the old woman at the bus stop
Opening her steel tiffin so slowly
The whole rushed world slows down with her

It is in my grandchildren drawing
The same round yellow sun with straight lines
Certain it will be enough to light everyone

It is in ordinary women
Making evening chai for two
Thinking of nothing
And in that nothing, holding everything

We search for a different life to feel extraordinary
But it sits quietly in our own home
Waiting to be noticed.

About the Author

Alka Kansra is a retired educationist and a prolific poet with several poetry collections to her credit

Friday, 23rd October 2026

Kladow 2.png

Kladow Crossing

By Gurpreet Kaur

Hand Drawing

Two weary wanderers after an eventful spree,

stumbled upon Kladow, Berlin’s quiet face.

No clocks, no chase, just seeking the balm of solace.

 

A ferry gently hummed across the lake,

Its waters crystalline, deep and blue.

And they chanced upon a little haven,

Where lingering silence felt almost new.

Far from city’s sirens, the world here

softened into hush and whispers.

They paused and watched unspoken words

dissolving in the air of stillness.

No summons drew them back,

No errands urged them to leave.

Two wandering souls, unburdened,

untethered, adrift in make-believe.

 

Slippers aside, swans glide,

bare feet dipped as gentle ripples roam.

Lo! They found a moment to call home.  

Poet's Note: This small travel vignette is dedicated to my dear friend, Khushbu Arora, who introduced me to the quiet beauty of Kladow, Berlin (after a daylong trip to Potsdam) and with whom that journey blossomed into a cherished and enduring friendship.

About the Author

Gurpreet Kaur is an Assistant Professor in the Department of English at Government P.G. College Sector-1, Panchkula, Haryana. A passionate reader and poet, she delights in capturing fleeting moments through lyrical expression. 

21st October 2026

Image by Alina Chernovolova

Grief

By Ajanta Paul

Hand Drawing

Like a resilient microbe

grief has a habit of returning,

like a rodent in a wheat sack

it chews through your heart.

 

It ambushes you like a tiger 

from shadows behind you 

like a Sundarbans inhabitant 

you fight it with all your might.

 

Or, when you are alone, 

in the bath, soaping yourself,

or between tasks it slips in

unbeknownst perhaps even to itself. 

 

Grief is like an ocean which knows 

the shape of the shore

but not how much more

the human heart can hold.

About the Author

Dr. Ajanta Paul is a widely published poet, short story writer and literary critic. She was the Principal of Women’s Christian College, Kolkata and is currently its Governing Body Secretary.  A Pushcart nominee, Ajanta has been published in national and international literary journals and anthologies She has four collections of poems, two collections of short stories, fifty literary reviews (by her), thirty critical reviews  and interviews on/with her, two acclaimed books of criticism in addition to numerous academic books and papers.

20th October 2026

Image by Yoksel 🌿 Zok

Deep Diving

By Neera Kashyap

Hand Drawing

Yes, the unexpected....
a sudden swarm of butter yellow irises
on hillsides after a night of rain;
a surprise nomination for a poetry award,
longlisted.
But what if we actually looked for the extraordinary

in the sea's ordinariness?
Beneath the waves, shards of broken sun.
Deeper, a line of kelp in a sunlit column.
Blue changes to indigo, light like falling stars.
Midnight blue, the sudden flash of a fish.
Near the seabed, a whale's skeleton,
teeming with life.
Seabed - black, cold - lit by a huge
slow-moving creature, self-illuminating.
A ship-wrecked cabin rusts.
Marine snow falls on a fishing net. A lone shoe.
The extraordinary?
The journey,
the journey itself.

About the Author

Neera Kashyap has published a book for young adults (Daring to Dream, Rupa & Co.) and contributed to several prize-winning children’s anthologies (Children’s Book Trust). Her poems, short stories, book reviews and essays have appeared in several national and international literary journals and anthologies. Her debut collections of poetry (The Art of Unboxing, Red River) and short fiction (Cracks in the Wall, Niyogi Books) were both published end July 2025.

Monday, 19th October 2026

Image by Priscilla Du Preez 🇨🇦

Poems: Ode to the Ordinary

By Rupa Anand

​

Hand Drawing
Image by Alexas_Fotos

bathroom window 

the curl of a snail

this rainy day 

arthritis —

the apple refuses to peel 

to a perfect twirl

Image by Maria Petersson
Image by Rae Wallis

the 

twist

of 

a 

hand

juicer

summer

oranges

About the Author

Rupa Anand, a spiritual seeker turned poet, has been nominated for a Pushcart Prize, the Touchstone Award, and Best of the Net honors. Her debut book. To the Edgeless Sky and Back (July 2024), chronicled her cancer journey. Her chapbook Tamarind Tree (2025) reveals her love for rescuing animals and birds. Her latest book is 72 Monsoons in Delhi. She lives in New Delhi, finding peace amid chaos. 

Friday, 16th September 2026

Image by Scott Rodgerson

In a Pit of Earth

By Wanchen Cao

Hand Drawing

I perch atop each gently raised mound of earth

Bare and exposed, yet the soil's warmth eludes

Insubstantial, dreams intertwine self and world

Traceless, as even light pierces through my form

Beauty or ugliness, sorrow or joyfulness fail to stir

yet—

 

I close my eyes, and glimpse at shuttered windows

Whose resident saw through the veil upon my eyes

Silent in mutual encounter, unwilling to shatter lies

In this world, I am one devoid of hopes and desires

yet—

 

Thought this would grant me, all I yearn for

Until I realize, within this pit of earth

All lies buried, my helplessness

Cannot sustain, do not dare

       to lift my tombstones

for each fragile

species of

  dream

About the Author

Wanchen Cao is a Chinese poet and creative writing researcher pursuing a PhD in Creative Writing at the University of Dundee, following an MA in Creative Writing at the University of Southampton. She is the author of the poetry collection Seven O’Clock. Her poems have appeared in Jiangnan, Poetry Monthly and other Chinese literary journals. Her work explores dreams, memory and embodied experience, bringing poetic practice into dialogue with research on how imagined and lived experiences take shape in language.

Thursday, 15 October 2026

Image by Clicker Babu

Vanilla Sunrise

By Jeena R Papaadi

Hand Drawing

Opening eyes to the patter of rain,

A clink of one tea cup against another.

All’s well in the world.

 

The neighbour’s pressure cooker whistle cuts

Through the buzz of school buses, cars, scooters.

The day is off to a good start.

 

The school bell rings. The chorus plays—

Prayers, pledge and anthem. Outside the window,

Umbrellas beneath the silver threads.

 

The night arrives, and leaves.

Another morning. Rain and Shine.

Nothing untoward has happened.

 

We’ve survived intact (or close).

It’s the routine we cling to

When the adventure gets too much.

About the Author

Jeena R. Papaadi is the author of six books of fiction and poetry. Her work is featured in several publications including The Hindu, Borderless Journal, The Hemlock Journal, Dissent Dispatch, The Wise Owl, Kitaab, European Association of Palliative Care and Aksharasthree. Jeena is based in Bengaluru and Thiruvananthapuram.

Wednesday, 14th October 2026

Image by Kristīne Kozaka

October, When Things Fall Away

By Ritu Kamra kumar

Hand Drawing

October arrives on the amber feet of autumn, carrying a secret in its breath.

She comes softly, while summer loosens its sunlit hold on the earth.

She comes with leaves turning like old letters, suddenly revealing their true colours.

She comes scented with rain, ripe earth and the faint perfume of departure.

The trees blush before the cold, unaware of winter waiting beyond the blue.

 

The wind whispers of things forgotten, then wakes them gently from their sleep.

A russet leaf trembles, a small flame rehearsing its fall.

A hesitant sunlight spills honey over rooftops, hedges and hollow lanes.

October tastes of apples, nostalgia and a sadness almost sweet enough to savour.

October smells of distant fields, woodsmoke and mornings washed clean.

 

October touches the skin like a remembered hand, tender and transient.

October turns the ordinary into an astonishment of colour, fragrance and light.

What was buried in the heart rises like mist over a forgotten river.

What was lost returns briefly, wearing the delicate mask of possibility.

What was dormant stirs, and hope puts out one green shoot in the soul.

 

Winter waits beyond the garden gate, patient as an old storyteller.

Yet October laughs at his certainty, scattering gold beneath his waiting feet.

She wraps me in her paradox, a joyous melancholy, a luminous ache.

Perhaps this is why the falling leaf feels less like an ending than revelation.

October, beautiful deceiver, teaches me to see what becomes visible when things fall away.

About the Author

Dr. Ritu Kamra Kumar, is an academician, poet, and writer. With over 400 contributions to leading national newspapers and magazines, she has published 70+ research papers in reputed national and international journals and edited books. A noted resource person and speaker, she has led workshops and panel discussions nationwide, including at the Delhi Book Fair 2024. Honoured by the District Administration and featured as an Empowered Woman by The Hindustan Times, she is a recipient of the Indian Woman Achiever Award and has authored eight acclaimed books.

Tuesday, 13 October 2026

Image by Tapish

Morning Routine

By Anjana Vipin

Hand Drawing

My grandmother used to sit

in her favorite chair

near the pale-brown front door,

sunlight caught in the creases

of her face,

a Malayalam newspaper

spread out on her lap,

her feet with protruding veins

resting

on a plastic stool.

 

Her eyes took a break

from unknotting the curvy letters

when she saw me

rubbing my eyes.

 

“Ammu—did you sleep well?”

 

I would run my fingers

through her thinning hair.

 

The full moon had not faded—

a round bar of soap

lathering the sky.

About the Author

Anjana Vipin Edakkunny is a writer from Kerala, India currently residing in the United States. Her work often engages with myth, memory, and contemporary experience, tracing how they bleed into one another. Her poems have been published or are forthcoming in Target Global Magazine, Poetry Potion, Borderless Journal, PoemsIndia, Zhagaram Literary Magazine, DoubleSpeak Magazine, Inverse Journal, Ghudsavar Literary Magazine, Tap Into Poetry, Plato's Caves Online,The Wise Owl, Housebound Magazine, Opol Space, and Avangeline Review. Her debut poetry collection, The Sandalwood Pyre, is forthcoming from Writers Workshop, Kolkata.

Monday, 12th October 2026

Image by Madalyn Cox

An Encomium on coffee

By Jahnavi Gogoi

Hand Drawing

Light rain, summer’s end, I pour

hot water into the French press.

My thoughts swirling

 

like tornadoes, soften gently as they

submerge, steep, baptize.

All the pessimism

 

of the night, my terrors now

transmuted into a tawny brew.

I taste sudden joy,

 

along with hints of smoke, nuts, berries.

My morning now is caramel hued.

At the first sip, I

 

understand the wild prancing

of Kaldi’s goats, enjoying another libation,

I grow keen

 

for a conversation in and around a

Qahveh Khaneh, traveling backwards

in time to

 

Sumatra and Sulawesi. Marveling at

the boom and bust of kismet. Raising again

the mug to my lips,

 

I grow certain about the virtuous leading

the way. I am in fact now draining

 a chalice,

 

my kitchen transforms into a place of worship.

Opening the window to the chants of wild,

unshackled birds,

 

my confidence grows in poetic justice.

The end of tyranny, the ascendancy of good sense.

The dark always

 

giving way to light.  The poets everywhere

sparking revolutions. Stepping out into the

teeming streets,

 

I hear the low, soft, rustling of the trees,

and for a spell, I too am liberated like

the wind.

Kaldi’s goats: The legend of the goatherd in Ethiopia whose goats first ate the coffee berries and became very active.

Qahveh Khaneh: A coffeehouse originating in the 15th and 16th centuries across the middle eastern countries.

Sumatra and Sulawesi: Indonesian islands known to grow coffee in the past. Many nations were built on the power of coffee.

About the Author

Jahnavi Gogoi is a poet based in Canada. She is best known for her Japanese poetry forms but also enjoys writing longer verse. She is an avid reader and loves to fill all spaces with books . She lives in the little town of Ajax with her husband and daughter.

Friday, 9th October 2026

Image by Cinara Sommer

The Extraordinary Pause

By Ketaki Mazumdar

Hand Drawing

my life this day drifts

like autumn leaves

in a slow-motion dance

orange and gold and brown…

tints glittering…

the River of life meanders…

every bend carrying nature's memories…

the message spreading…

it's time to begin the great retreat

before the time to begin again!

 

Wisdom whispers a maturity song

the richness of life withers,

a chill sets in

a nippiness knocks on faces…

 

I watch the squirrels scampering,

gathering nuts for survival

bright eyed, bushy tails swinging…

I watch the children jumping happily on piled up leaves…

of different shades…

their colours of woollens and scarves red and blue and green…

flapping a life of their own…

red cheeks glowing…

ordinary happenings bringing on smiles…

 

the gardener rakes in leaves and twigs

a burning bonfire crackles

I roast large jacket potatoes…

smother them with salt and pepper and butter…

melting and drooling happiness…

I pause… loving this extraordinary joy…

even as the season packs up its trunk…

About the Author

Award winning Indian Poet, Ketaki Mazumdar, delves deeply into Nature, life, mysticism, culture and spirituality. She writes authentically keenly observing every nuance of life. Born in Kolkata, she now resides in Mumbai surrounded by her plants, flowers and birds. A prolific writer, her published books “Woodsmoke and Embers”, “Toasted Orange Embers”, and “Whispered Secrets”, have won her numerous literary awards and appreciation, internationally and in India. Her poems are visual in context and deeply touches the readers with quiet strength, empathy and soulful conviction.

Thursday, 8th October 2026

Image by Ganapathy Kumar

Half-Past Two

By Debarati Sen

Hand Drawing

It’s half-past two. The room is held

by ghosts of unfinished poems.

Rafi drifts from the radio, soft as promises,

while Kafka waits marooned by my pillow.

An ember pulses against the dark;

ash falls like punctuation,

smoke twirls around an archaic word.

Past the balcony railing, a stranger

breaks the quiet with Kishore Kumar—

careless, loud, alive.

The diesel fades into the asphalt,

leaving only the cold terracotta courtyards.

The syllables demand closure

but the moon leans through the glass, hungry,

drinking down every metaphor I build.

The first crow claims the parapet;

the sky sheds its heavy, ink-stained coat,

leaving the city to the living,

and letting the ghosts lie down.

About the Author

Debarati Sen is a recipient of the ‘Poiesis Award for Excellence in Poetry -2023’, and the Sylvia Plath Women's Literary Award. A poet from Kolkata, she  writes both long verses and haiku. She has recently been declared the winner of NaPoWriMo 2023 by the Elite Book Awards. She has published two solo poetry collections and has contributed to more than 10 anthologies. Her haiku has been published in various international journals. Her latest collection of poems, Saudade, was brought out by Penprints in 2022.

Wednesday 7th October 2026

Image by Brett Jordan

Buffered

By Kashiana Singh

Hand Drawing

I press play.

The sound of your innocence

travels through nautical miles

then stops.

 

A small circle turns

and turns

in the middle of the screen.

Below it, the world burns

 

in several languages at once.

 

Sirens translate

what prayers cannot.

A child folds a name

into a flag.

 

Someone carries water

in a yellow bucket.

Someone searches the rubble

with bare hands.

 

The image freezes.

I wait.

The circle turns.

Outside my window,

morning arrives

 

without permission.

 

Still, the circle turns

a little wheel of waiting,

holding everything

I cannot reach.

 

I do not know

what to do with the distance.

So I keep the screen lit.

I let the kettle cool.

I wait.

 

From another room,

a Bollywood song plays

jaise shaamon ke sawere, tere paas main

 

the kettle boils over

with a longing to arrive

without a loading circle

between us.

 

The song keeps playing.

The screen keeps turning.

About the Author

When Kashiana is not writing, she lives to embody her TEDx talk theme of Work as Worship in her daily life. Her poetry carries her various geopolitical homes across India and the United States. Kashiana serves as Managing Editor for Poets Reading the News and is President of the North Carolina Poetry Society. Her poetry collections include Crushed Anthills by Yavanika Press(2020), Woman by the Door by Apprentice House Press(2022), and Witching Hour by Glass Lyre Press(2024)

Tuesday, 6th October 2026

Image by Xan Griffin

Driving West at Sunset

By Deborah Bennett

Hand Drawing

in the trapped light of memory 

and blinded by the sun 

i could not see the cars ahead 

only the bridge walls 

blazing orange 

shining needles on the lake water 

the day after you died 

the beach gulls flew like kites 

the wind's hysterical 

masts blew over 

white stones and pigeons 

in the shallows 

and distant boats with all 

the edges softened 

 

a dog stood in the gray-green waves 

barking into the foaming void 

into the purple smudge of 

darkness on the horizon 

the brick facades becoming gold 

the air thick and warm as 

sun-cooked tea 

 

on the street the red and white 

streams of carlight 

and el light and neon light

shone over lamp posts 

rising like knight's javelins 

helicopters hovered like fireflies 

beside the yellow windows of 

stern steep steel canyons 

full of the deep moan of buses 

and weedy lots and green 

bottled curbs and cracked 

sidewalks and plastic bags 

fluttering in the trees like 

battered flags in the sunset 

sky only barely containing 

the endless blue universe 

i could not say was beautiful 

but it was 

About the Author

 Deborah A. Bennett lives in small town USA, where she enjoys gardening and writing haiku. Her work has appeared in various online and print publications, and was Long-listed for The Haiku Foundation's Touchstone Award for Individual Poems in 2022.

Monday, 5th October 2026

Image by luthfi alfarizi

Farming

By Paulami Sengupta

Hand Drawing

Chirping emojis disappear like birds.

Our respective mounds of loneliness erupt, then go ash cold.

My thoughts, climbing up the tree like a monkey, can fall to the ground

with a soft thud.

 

Your eyes are pellucid,

adding water to my blood

and the days in between.

In corridors of words washed and dried,

I harvest our chats.

Tiny huts store them on my old device.

About the Author

Paulami Sengupta is an editor and translator based in Kolkata. Her poems (in English and Bengali) and translations have been published in The Dreaming Machine, Nether, Cold Noon, and Scent of Rain: Remembering Jayanta Mahapatra (ed. Ashwani Kumar, Red River). Her recent collection of Bengali poems (under her pen name Anjashi) is titled Bayosandhir Haraf (Boibhashik, 2021). Her first collection of poems in English, Maximum Love in Patel Nagar (Red River), was published in 2023. She is also on the editorial team at Red River.

Friday, 2nd October 2026

Image by Jené Stephaniuk

The Alchemy of Light

By Kavya Mahajan

Hand Drawing

Somewhere between the ash and the arising,

a quiet miracle keeps choosing to begin —

the seed that trusts the dark enough to open,

the dawn that trusts the night to let it in.

 

I have learned that joy is not the absence

of everything that ever asked me to break,

but the tender, stubborn art of gathering

gold from the very hands that learned to shake.

 

Every wound I wore became a window.

Every silence taught my voice to sing.

Even the winter, bare and unforgiving,

was only earth rehearsing how to spring.

 

I am made of every sunrise I doubted

would find its way across my closing eyes,

and still it came — soft, certain, unrelenting —

proof that even breaking hearts can rise.

 

So I hold this life like light through amber,

each scar a story polished into art,

and I keep becoming, keep believing

that grace was always growing in my heart.

 

We are not the pain that tried to hold us.

We are the bloom that pain could not erase —

a universe of small and radiant courage

learning, always, how to love this place.

About the Author

Kavya Mahajan loves reading and writing poetry

Thursday, 1 October 2026

Image by ObjectType RAW

The Small Steel Chair That I Wouldn’t Share Even With My Mates

By Malabika Mitra

Hand Drawing

the small steel chair in the palm of my hand

filled with memories of grasses in that rectangular patch

 

from which sprung scrawny dahlias in winter

in rickety about-to-drop stems, when girls and boys

 

gossiped, laughed, romanced, like Nagpur oranges

sweet-sour, while a bold eyed the young lecturer;

 

the small steel chair scraped the palm of my hands

not blisters, just itchy and red - did you know

 

it was made of stuff from which dental braces are made

in that summer of stolen glances

 

almost see-through chikankaris

artificially coloured ice-lollies

 

sold for five rupees just across the college gate

under the shade of two huge trees, banyan was it…

 

the small steel chair rusted a bit

monsoon flooded, made uncomfortable

 

the garden patch - fungus, moss, pedes of all varieties

where once eyes met; stories like lemonade

 

sour, with a hint of bitter after taste,

- fleeting memories filling occasional empty space

About the Author

Dr. Malabika Mitra, is a former newsreader with Doordarshan and went on to head corporate communications in Chennai. An alumna of National University of Singapore, she pursued a doctoral degree on a feminist topic. She has co-authored two books on the Bodos of Assam, edited three books for English honours students, wrote numerous articles and book reviews and has been frequently anthologised. Intertwined, a collection of poems, is her sixth book.

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